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4.1
Laura McCullough
Whole Brain, Whole Body

Across these hard Cs evoking cock and cunt, cutting through the sibilance is the thick band --
the corpus callosum -- connecting the two. Inside this band, millions of fibers twist toward the job
of carryover between the two sides, exchanging language, tasks, and the band broken
equals agenesis. There was a part missing in me as the breasts begged to be sucked or kneaded;
where did the mind go, thinking it was un-needed? then after those years of hiding
the body in folds of cloth, the mind returns like the light has been turned on in a room
I had been undressing in forever in the shadows, and stares across the divide
at the breasts, and wants to be sucked and kneaded, needing now its other half,
agenesis becoming its own agenesis; what's flowering soft, violet-scented, synaptical,
charging every node? Multiple nipples in the no longer split brain, split body; this is whole.

4.1
Blessed Life

Knives. Good knives, really. I'd never heard of garbanzo bean soup,           but he'd left some for his girlfriend back home. Do you really think of yourself as a surrealist? I asked. No, he blew out. On that air, I blew my own: or did you say no           because of how I asked it,           and if someone else had asked,           Would you have said, shit, yes, and he said, that's too complicated, and what is this knife for?
It was a small knife,           a paring knife with an inward curve           on the back end as if for a thumb. I told him I didn't know, but we both admired           its beauty and utility,           though it was clear neither of us           fully understood it. I opened some cheese and used the tip to tip it           out onto a white triangular plate,           and then to slip a crescent off           and onto a cracker and handed it to him. Good cheese, he said. Neither of us smiled. In the other room a party was going on           neither of us wanted to join. Instead, we waited                for the doves (beating, beating) that always enter                     a room if you wait long enough,           the things waiting to be said:                     I don't like where I live.                     I miss my sons.                     I can't leave because the money's too good.                     We're all going to die.              Which made us laugh.
Which is when we let our bones fall to the floor with us around them,           and pat the new dog, stroking her long ears,           the fur that seems like something           we lost and can't ever get back,           let our hands touch once in a while           and mumble in our separate languages           sure we're being understood.

Laura McCullough'smost recent books of poems are Panic, Alice James Books, and Speech Acts, Black Lawrence Press. She is the editor of Mead: the Magazine of Literature and Libations (www.meadmagazine.org), and the convener/ organizer for the first national Symposium on Race, Ethnicity, and Class scheduled for spring 2012. Her work has appeared in The American Poetry Review, Pank, Guernica, Diode, Mad Hatters Review and other journals online and in print. www.lauramccullough.weebly.com