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6.3
Rae Gouirand
Shoes

In the window the recent dictates its speech angled on a beaming ramp of plexiglass: so difficult to go in, remove your old favorites, align them under your chair, hoping no one will notice the darkened scuffs, the flattened arches, the sides wet with snow. Here the clerk comes with the box, breaking its tissued seal, and you hope your long toes will slip like sweet muscari into the sculpted tips, cooled by the clean insides, lulled into a perfect blue fit. And they do, nearly. So nearly they are more perfect for it, fragrant from newness, neatening your plans. Under their faces, thin bones stir, refracting radiance. At first, wearing these is something like a refusal. With the first step outside their smooth bottoms chew and exclaim — not for the world — touching it reluctantly. Perhaps it begins to rain a little, and they turn cold. Or you kick the door on your way in and leave a bruise. Or sigh while taking them off, blistered cloud from those hard seams articulating its rise, rosy, and sad, noting its source.

Rae Gouirand's first collection of poetry, Open Winter, was selected by Elaine Equi for the 2011 Bellday Prize, won a 2012 Independent Publisher Book Award and the 2012 Eric Hoffer Book Award, and was a finalist for the Montaigne Medal, the Audre Lorde Award, and the California Book Award for poetry. Her new work has appeared most recently in American Poetry Review, VOLT, The Brooklyner, The Rumpus, New South, Hobart, ZYZZYVA, The California Journal of Poetics, Barrow Street, The Hat, and in a Distinguished Poet feature for The Inflectionist Review. An upcoming (Fall 2014) guest editor for OCHO: A Journal of Queer Arts, Gouirand has founded numerous community workshops in poetry and prose online and throughout California's Central Valley and served as an adjunct lecturer in the Department of English at UC-Davis. ( allonehum.wordpress.com)